home *** CD-ROM | disk | FTP | other *** search
- Murder In The Cathedral
-
-
- (February 28, 1938)
-
- In Murder in the Cathedral, Playwright T.S. Eliot's subject
- is the slaying of Thomas a Becket, Archbishop of Canterbury, in
- 1170. In Anglo-Catholic Elliot's hands, Becket (Robert Speaight)
- stands forth as a tremendous spiritual figure who, before the
- play begins, has made his choice between Heaven and Earth.
- Tempters only arouse his scorn. Assassins only increase his
- submission. Out of such an attitude comes the play's blazing
- religious exaltation, its lack of psychological drama. The great
- heroes of tragedy are inwardly lacerated; Becket is not. hence
- the first half of the play is mainly declamatory. But in the
- second half Poet Eliot's richly cumulative rhetoric takes fire,
- makes antiphonal voices of his despairing chorus of women, his
- truculent band of murderers, his central, uplifted archbishop.
- Then, at a stroke, the murder. Then, with a counterstroke, the
- murderers, using mealy-mouthed journalese, try to justify their
- crime. In this sudden contrast of shoddy human self-seeking with
- rapt spiritual self-abnegation. Eliot gets in a brutal and final
- punch.
-
-